Category Archives: Featured

03.27.13
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[DOUBLE MUSIC REVIEW + BONUS TRACKS] Bring Me The Horizon – Sempiternal

bringmethehorizonsempiternalcoverBRING ME THE HORIZON
Sempiternal
[Epitaph Records]
Verdict: 8/10
RIYL: Underoath, Thrice, Dead Poetic

Let’s get this out of the way: BRING ME THE HORIZON is just a bit polarizing. Whether it’s the band’s image, their reputation, or their sound, it is really difficult to go into an album without preconceived notions. With that said, do your best to keep an open mind with the group’s latest effort, Sempiternal. While There is a Hell… was a slight departure for the band, BRING ME THE HORIZON is a new animal now. These English chaps now bring equal doses of melody and brutality. This is no longer a deathcore band. Sure, there are still more than enough of breakdowns on the album, but those are met with clean vocals, electronics, and something akin to post-rock dynamics at times. Sempiternal finds the band leaving behind the metalcore pastures of old; now the group is a full-fledged post-hardcore beast. You will hear some Thrice-isms, a few nods to Dead Poetic, and even some Brand New (in the excellent “Seen It All Before”). Oli Sykes has even developed something akin to a croon, which he puts on display across the majority of the album’s tracks. Hell, some of the melodies on the album, when married with excellent keyboard work, sound downright Linkin Park-like. I would not have expected anything like that two albums ago. Thankfully, despite all of the experimentation in Sempiternal, BRING ME THE HORIZON still remembers how to bring the noise. “Shadow Moses” and “Anti-Vist” are excellent bangers that showcase how well the newer, more mature band works. Their brutal moments are well balanced with the more prominent melody. I think the band should consider a name change. While this is still the same band, the new sound is sure to welcome any open-minded listeners. – by Nick Senior

SECOND OPINION REVIEW:
Verdict: 9/10

Let’s start off by saying die hard fans of BMTH’s Count Your Blessings will not recognize this to be the same band. Sempiternal sounds nothing like any of their previous releases, and that includes the atmospheric broadening heard during There Is A Hell, There Is A Heaven... Even that album had enough “old” BMTH to keep it a little familiar. But not Sempiternal. For one, there’s barely any screaming on it. It’s mostly sung (even if the sound is raw and gruff more often than not). It’s also a very melodic album. With all this being said, Bring Me The Horizon have really come out with a surprising memorable album. Sempiternal is fucking theatric, which is great. The opening track, “Can You Feel My Heart”, is one of their best songs ever (and there are several other tracks on here that can also be labeled as such). It’s one of those songs that lifts you out of your seat to sing along. In fact, you could sing along to much of this album. There are plenty of catchy and memorable sections to warrant such activity. Moving forth in the album, other obvious favorites include “The House of Wolves” (the brick-by-brick chorus is contagious as fuck), “Empire (Let Them Sing)” (which will get you swinging your fists and bringing forth a revolution), “Sleepwalking” (one of the catchier and melodic tracks, with a lot of heart), and “Go To Hell, For Heaven’s Sake” (which is the most well rounded track, brining in quiet sweatness and thunderous attacks). Even with having chosen those tracks to highlight, there are several other must-hears. Basically, what it comes down to is this: forget what you used to know about BMTH. Approach this record as if it is a new band (because it may as well be). If you do that, chances are high you’ll find a lot to love from Sempiternal. — by Nathaniel Lay

Bonus tracks review…

Verdict: 10/10 (just for the 3 bonus tracks? unheard of!!)

Having not been the bands biggest fan of their last record, I was a little overjoyed when the first few songs released from this record were really good. Sempiternal reminds me of another UK band now, ARCHITECTS (UK). The last few records explored different avenues of dynamics and made it work. BRING ME THE HORIZON have finally followed suit. A full album review is very unnecessary here as my fellows writers have aptly done so, SO, I will give a 3 song review of the bonus tracks, also known as ‘The Deathbeds EP’. Starting it off is the track ‘Join The Club’. It has atmosphere and a very distinct THURSDAY meets ALEXISONFIRE vibe. It rocks, it thunders but never becomes overbearing or utterly annoying. It’s the only one of the 3 that sounds even close to the bands previous outing. Next up is ‘Chasing Rainbows’. This little number has a very THRICE-y kinda vibe but follows closely to what the ARCHITECTS (UK) have been pulling off. Its fast paced and full of unexpected hooks and melody. Last but not least, ‘Deathbeds’. This track is very ethereal and is almost a companion piece to the ARCHITECTS (UK) track ‘Hollow Crown’. Lyrically it’s almost a very romantic piece. Yes. I said romantic. Overall these extra tracks almost make this whole album…legendary. -by Jon Hole

Guest appearance: Hannah Snowdon on ‘Deathbeds’

03.21.13
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[MUSIC REVIEW] My Bitter End – Nostalgic Sentiments EP

MBE

MY BITTER END
Nostalgic Sentiments EP
[We Are Triumphant]
Verdict: 9/10
RIYL: The Tony Danza Tap Dance Extravaganza, Float Face Down, August Burns Red & The Last Ten Seconds Of Life

Since the release of the frighteningly heavy and destructive The Renevation in 2007, MY BITTER END became an enigma. An underground myth of sorts. Here was a band that encapsulated the finer points of death metal, progressive metal and pure spazzed out heaviness, and made it all work in one cohesive sound. The release of the Nostalgic Sentiments EP shows these gentlemen have lost none of that passion and fury. The music is as incindiary as ever and the tortured vocals of Tyler Guida are, dare it be said?, even more hate laced. What we have here are 6 songs that were slowly molding, decomposing and infecting the 5 members of MBE since they went on ‘hiatus’ a few years ago. Fans of metal will rejoice as Nostalgic Sentiments blisters the ears with shredding solos and thick as the Titanic rope riffs. Hardcore and metalcore fans will be thrilled by the beatdown fury and bass drops that lace this EP like a plague. If you feel the heavy music scene seems oversaturrated with mundane and plain old copy cats, then try on MY BITTER END’s triumphant return to the world.  -by Jon Hole

Recommended listening: ‘The Dividing Line’ & ‘Neighbors’
Guest appearances: John Robert of Torment The Dreamer on ‘From Far Away’; Cody Smith of Towers on ‘Becoming Misfortune’ & Nate Johnson ex-Through The Eyes Of The Dead on ‘Insistence Phase’
Release date: March 19, 2013
In conclusion…Basically picking up and expanding upon where The Renevation left off, MY BITTER END’s Nostalgic Sentiments EP should hold fans over until a new full length drops and annihilates us all.

03.19.13
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[REVIEW] Caravels – Lacuna

_caravels_lacuna_cover_detailCARAVELS
Lacuna
[Topshelf Records]
Verdict: 8.5/10
RIYL: Gifts from Enola, We Were Skeletons, Further Seems Forever

I feel teleported back in time when I listen to CARAVELS’ debut full-length. “Retro” is one of those “in” things right now, with 80s music and fashion coming in style. It’s only a matter of time until the 90s is re-represented. Thankfully, CARAVELS embody what was so great about the music that didn’t make the airwaves in that era. Theirs is a sound that is emo, not “emo”. The music alternates between beautiful post-rock interludes and intricate post-hardcore. Each song laughs at the standard verse-chorus formula, as the vocalist lets the music bring the beauty. Thankfully Lacuna features a heavy dose of melody. Each song is expertly designed for maximum enjoyment.

While the vocals couldn’t be much different, I am oddly reminded of FURTHER SEEMS FOREVER’s musicality throughout Lacuna. The music unravels its intricacy more with each listen, like a ripe red onion. At its outside layer, the music equals the abrasive nature of the vocals. This is loud music for quiet people. CARAVELS is not bombastic or brutal enough to appease metalheads, but the passionate noise will surely please most listeners. However, once the heaviness seeps through, the rest is even more impressive. The guitars and drum-work are superb, allowing the music to ebb and flow organically. For an example of what I’m talking about, check out songs one through ten, in order. While the album is a tad bit homogeneous, CARAVELS’ carefully crafted sound is best experienced in one fell swoop. Fans of intelligent noise will surely enjoy Lacuna, as these gentleman have released one of the first truly great albums of 2013. – by Nick Senior

Classification: Throwback Emo/Post-rock
Recommended Tracks: “Hundred Years”, “New Zealand” and “Having Had & Lost Some Infinite Thing”

03.14.13
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[MUSIC REVIEW] Vanna – The Few And The Far Between

TFATFB

VANNA
The Few And The Far Between
[Artery Recordings/Razor & Tie]
Verdict: 9.5/10
RIYL: The Greenery, Stick To Your Guns, Every Time I Die & No Bragging Rights

VANNA, over the past few years, have gone through a…musical metamorphosis. What they were a few years ago pales in comparison to the raging beast they have become. The Few And The Far Between is an exercise in masculine and unbrideled rage mixing with the occasional clean vocal passage. It never becomes overbearing or annoying, as the often times volatile rhythms accompany the dirty, and angst ridden vocals of Davey Muise. TFATFB is a dirty record, filled with enough brutality to keep the pits alive and enough melody to keep one singing along and dancing for weeks on end. Where VANNA excel though, is in their ability to slip easily between rhythms and power, a trait that comes naturally and shines in a live setting (proof of this was most recently evident as they played before the epically heavy The Acacia Strain, and stood their ground). The energy is never at a loss and the passion that is needed to keep this genre strong, is in abundance and never lacking. It’s bands like VANNA that keep the scene strong. The individual members personalities shine off and on the stage and the music is always 100%. The Few And The Far Between is a record that deserves your full and undivided attention and love.  — by Jon Hole

Recommended Listening: ‘The Lost Art Of Staying Alive’ & ‘Please Stay’
Guest Appearances: Rachel Quarell and Adam Toomey on ‘Please Stay’; Mike Milford, formerly of Scars Of Tomorrow on ‘The Dreamer/The Thief/The Relic’ & Ethan Harrison of Great American Ghost on ‘I Said Im Fine’
Production Credits: Recorded at Gateway Recordings in Haverhill, MA by Jay Maas
Release Date: March 19, 2013
In Conclusion…VANNA is one of the genre’s most honest bands and deserve the attention of all music fans. The Few And The Far Between is for us by our friends in a little band known, as VANNA.

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SECOND OPINION
Verdict: 9.5/10

First, we had the lead vocals position switched out during the EP release of The Honest Hearts. Since that occurrance, Vanna has transformed into something that is much faster and chaotic. It is also easy to hear how touring with the likes of The Greenery and Hundredth has rubbed off on their writing. The Few And Far Between is very much a fierce mix of punk and hardcore, whereas previous entries were metal in origin. While I will always be a fan of Vanna’s original sound, it’s probably safe to say that this formula fits them better. The band’s new record is their most memorable yet, and teeming with awesome breakdowns, vicious lyrics, and ghostly choruses. Expect a ton of energy when popping this CD into your player. Take a listen to “I Said I’m Fine” if you don’t believe me. — by Nathaniel Lay

03.14.13
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[MUSIC REVIEW] Terror – Live By The Code

terror-live-by-the-code

TERROR
Live By The Code
[Victory Records]
Verdict: 10/10
RIYL: Terror.

Trying to fully explain and describe why Live By The Code is one of TERROR’s finest records is almost impossible. For the diehards that already know of them or that are already fully engrossed in the hardcore community, it’s as easy as saying…TERROR’s 6th full length, Live By The Code will easily go down as a ‘Hardcore Bible’ of sorts, much as Keepers Of The Faith was. It mixes the dirty, frantic energy of Lowest Of The Low with the pummeling groove and rhythm of One With The Underdogs & Always The Hard Way, topped with Scott Vogels ever venomous but truthful vocals. But theres always the ones that don’t know, or aren’t familiar with what TERROR do, or are. What TERROR means to the thousands of followers worldwide. Not since the early 90′s, that gave us MADBALL, has hardcore had such a single driving force that does more than just write and perform riffs with shouted vocals. They provide a cathartic release for the weary. They allow those that feel alone to know they aren’t alone in an unforgiving world that laughs at and looks down upon anyone not in the upper class. Until one has experienced the live show and felt the immense energy and felt the pure, unadulterated love between band and fans, you cannot fully appreciate what TERROR are. Live By The Code is more than just another hardcore release, it is almost a religion.     – by Jon Hole

Recommended Listening: Honestly? All 11 tracks, but to get a sampling: ‘One Blood’
Release Date: April 09, 2013
In Conclusion…TERROR have managed to, once again, release a record that will live on for years to come and mark what all hardore purists will call, real hardcore.

03.14.13
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[MUSIC REVIEW] Reign Supreme – Sky Burial EP

ReignSupreme_SkyBurial_Cover

REIGN SUPREME
Sky Burial EP
[Mediaskare Records]
Verdict: 9/10
RIYL: Crowbar, Everything In Slow Motion, Thick As Blood, Terror & Betrayal

REIGN SUPREME have had an intense fanbase for more than a handful of years now and not without good reason. Their brash mix of crushing metallic hardcore and groove laden metalcore has gone relatively untouched by many of their peers. The release of the Sky Burial EP is a sweet relief for the band and fans alike,as  it was originally slated for release in 2011, and it has been worth the wait. Not to disappoint, Sky Burial starts strong and never lets go throughout it’s blisteringly heavy 7 tracks. It’s an incredible mix of early 90′s era metalcore and punishing hardcore vocals that will leave the listener tired and begging for more. What makes REIGN SUPREME stand out though, is this isn’t just random  ’tough guy’ hardcore. The little elements mixed in of melody and metal are small enough to not be blatent but add enough ‘meat and weight’ to create a crushing, and at times, devastating wall of sound that one can’t help but to be instantly drawn in. The Sky Burial EP has been a while in the making but it is more than worth the wait. REIGN SUPREME are here to stay, and this should easily prove that as a fact.   – by Jon Hole

Reommended Listening: ‘It Feels Like A Thousand Years’, ‘Heartsick’ & ‘In Tongues’
Production Credits: Produced by Will Putney (Stray From The Path, Hundredth)
Guest Appearances: Scott Wade of Comeback Kid, Chris Colohan of Cursed/Burning Love, and Mike Moynihan/Steve Muscemi of Hollow Earth.
Release Date: March 19, 2013
In Conclusion…Pits around the world should be prepared for the beating that REIGN SUPREME are bringing when they crush stages with the insanely heavy material from the Sky Burial EP. You have been warned!

03.13.13
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[MUSIC REVIEW] Hundredth – Revolt EP

revolt

HUNDREDTH
Revolt EP
[Mediaskare Records/No Sleep Records (Vinyl release)]
Verdict: 9/10
RIYL: Stick To Your Guns and any other fully involved melodic hardcore band

HUNDREDTH have long been one of melodic hardcore’s shining stars, although not widely known, among their peers and fans, they have cut a swathe of impressive live shows and awe inspiring records. It’s this energy and commitment to their craft that has kept their fans salivating for more. Not unlike their West Coast brothers in Stick To Your Guns, HUNDREDTH aren’t merely satisfied with writting pit moving music. They write music with a message. Not a message of self pity or full of ‘Fuck You’s'…they touch on serious topics such as the sad state of affair we live in. Our world and pointing fingers at, ultimately, ourselves. With the release of the 5 track Revolt EP, HUNDREDTH are here to make a mark. They have taken what they do and finely tuned it so that Chadwick’s vocals are more emotionally charged and the music is even more furious and thunderous than before. HUNDREDTH arn’t out to change the world, they just want us to know that we can. Don’t sleep on this. — by Jon Hole

Recommended Listening: ‘Euclid (Slave Song)’
Production Credits: Recorded at the legendary studio The Blasting Room in Fort Collins, CO with producers Bill Stevenson (Rise Against, Black Flag) and Jason Livermore (Stick To Your Guns)
Release Date: March 19, 2013
In Conclusion…HUNDREDTH’s Revolt EP is easily one of the most profound and energetic releases of 2013. Coupled with the upcoming Resist EP, we are in store for one epic release.

03.13.13
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[REVIEW] Wolves At Bay – I Was The Devil Once

wolves at bat=yWOLVES AT BAY
I Was the Devil Once
[Animal Style Records]
Verdict: 9/10
RIYL: Reverse the Curse, Brand New, Heart to Heart

An excellent EP is both gratifying and irritating as hell. On one hand, it is always an accomplishment to release twenty minutes of consistently impressive music. On the other hand, I wish the band could have come up with another ten to fifteen minutes of music to make a full length. WOLVES AT BAY’s latest EP falls into this category. I Was the Devil Once is a six song stunner, packed to the gills with excellent music. The band’s style is altogether familiar and unique, hearkening back to a time in post-hardcore before breakdowns (henceforth B.B.). Each of these six songs is energetic, melodic, intelligent, and (maybe most importantly) fun. If I had to pick an album highlight, “Forget Who I Was” is an excellent specimen. It is undoubtedly the most up-beat song, but don’t let that fool you: the rest of the EP still brings it. Ultimately, the EP serves as yet another reason to give this Connecticut group a chance. Their sound is definitely brings back some of the positive memories of early 00s post-hardcore. Fans of anything that came out of New Jersey in that era will surely dig WOLVES AT BAY. – by Nick Senior

Classification: Post-hardcore/Emo
Recommended Tracks: “The Whole”, “Damn” and “Thing”

03.13.13
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Its Been A Minute…

Hello ladies and gentlemen! It ha been quite sometime since I was last on here and I wish to apologize to ANY of you that really care. I apologize to Nick and Nat for just ‘disappearing’ off the face of the Earth.

Without going too far into what happened, basically because it’s boring and annoying, but I was in jail in a backwoods little town known as Winder. In a nutshell, they mis-labeled something that shouldve been an easy fix. So 119 days later they correct the problem and here I am.

Granted I got out a month ago, but there were other issues….while I as gone my laptop, which had ALL my pictures (of my babies as well as other good times), ALL my music as well as the two music projects I as involved with. All tht can be replaced, minus the photos but its okay. Im on the ‘come-up’ and I am here now.

Id like to use this as, a warning. I have had roughly 6 months to build up all this extra, aggression and need to tell the world at large about music and whatever else happens to pop into my head. This is a warning that LMP and Jon Hole are back. I full force. Be prepared!!! So spread the word people. Its happening…

 

-Jon Hole

03.06.13
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[NEWS] Sharks Announce New Album

SHARKS ANNOUNCE NEW ALBUM, SELFHOOD, DUE OUT APRIL 30TH VIA RISE RECORDS
HEAR THE FIRST SINGLE “PORTLAND” NOW

shakrsLOS ANGELES, CA – March 6, 2013 – The UK’s Sharks today announced the release of their much-anticipated new full-length album, entitled Selfhood. The album will be released on April 30th via Rise Records and is the follow up to their striking 2012 offering No Gods, which NME called, “joyous blue-collar punk from Leamington Spa… a starry-eyed celebration of yearning on a US factory floor, as idealised by British spa town punks.” The album’s radiant first single “Portland” is available to hear now. See below for a lyric video, album art, full track-listing, and pre-order bundles.

Selfhood was recorded in just two weeks in Southampton, UK at The Ranch studio and produced by Lewis Johns (Gnarwolves, Bastions). The new release expands on the explosive punk meets Brit pop anthems on No Gods, and showcases a more mature and solid live band – a result of endless international touring in support of past releases.

“The whole approach with this record from the beginning was to have the process be very reckless and fun, and for every decision and idea not to be pondered on or over thought,” said the band’s frontman and vocalist James Mattock. “We set ourselves no more than three months to write this record, with no songs written going into the studio. We wanted to set ourselves these targets as a way to really capture a moment -an important aspect in making an album.”

The songs on Selfhood spotlight the band’s effortless knack for indie-punk songwriting, sharp guitar-fueled melodies and emotionally charged lyrics – channeling influences from the likes of The Smiths, Richard Hawley and The Cribs.

“I wrote most of the lyrics in a room above a morgue in which I lived with my fiancée for about five months,” said Mattock. “The place was an old Victorian building with no heat, running water, or bathroom. It wasn’t even legally residential. A lot of what I was going through around this period is channeled in the lyrics. These are the most intimate and personal songs I’ve written – thus Selfhood is the most fitting title.”

Born in 2007, Sharks is James Mattock (vocals), Andrew Bayliss (guitar), Sam Lister (drums), and Carl Murrihy (bass). They released their first independent EP, Shallow Waters, in 2008 and drummed up a serious buzz while playing with the likes of Gallows, The Wedding Present, Social Distortion, Hot Water Music, The Gaslight Anthem, Baby Shambles and more. In 2011 they released The Joys of Living 2008-2010, which BBC’s Zane Lowe praised as “the sound of a band reaching that moment when they are absolutely ready.” Their 2012 release No Gods introduced the band to U.S. audiences, with Alternative Press declaring that their music “bristles with a wonderful sense of rock and roll heritage that serves as a tribute to fallen heroes… something refreshing and contemporary.”

Sharks just returned home from a successful appearance at the Soundwave Festival in Australia. Stay tuned for announcements on U.S. touring plans.

“All we desire to achieve is the connection of an emotion sincerely felt.”

sharks selfhoodTRACK LISTING:

1. Selfhood
2. Your Bloody Wings
3. Portland
4. I Won’t Taint
5. The More You Ask Me, The Less I’m Sure
6. Sunday’s Hand
7. 22
8. Pale
9. Gold
10. Room With A Grey View
11. The Wild One

03.06.13
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[NEWS] The Wonder Years Release Details On New Album

THE WONDER YEARS To Release New Album, The Greatest Generation, on May 14th!

the wonder yearsSpring Headlining Tour w/Fireworks, Hostage Calm, & Misser! Will Appear on 2013 Vans Warped Tour Main Stage. Chosen As One Of Alternative Press Magazine’s Most Anticipated Albums of 2013

Philadelphia, PA – March 6, 2013 – The Wonder Years will be releasing their new album, The Greatest Generation, via Hopeless Records on May 14th, 2013. The album was produced and engineered by Steve Evetts (Saves the Day, Lifetime, Every Time I Die), and mixed by Mark Trombino (Jimmy Eat World, Blink-182, Motion City Soundtrack). The band will appear on the entire 2013 Vans Warped Tour Main Stage, as well as heading out on their Spring headliner tour with Fireworks, Hostage Calm, and Misser, kicking off on March 8th in Asbury Park, NJ. For more information or to purchase tickets, please visit: http://www.TheWonderYearsBand.com.

Consisting of Dan “Soupy” Campbell (lead singer), Casey Cavaliere (guitarist), Matt Brasch (guitarist), Nick Steinborn (keyboardist/guitarist), Joshua Martin (bassist), and Michael Kennedy (drummer), The Wonder Years are a band that started as something of a joke and grew to become recognized around the country, courtesy of a sloppy debut LP that flicked some sort of switch. Releasing The Upsides in January 2010, a complete departure from The Years’ early work, was just the beginning of an ongoing avalanche of momentum that has led the Philadelphia sextet to the forefront of the pop-punk community.

Engaging musicianship and intimate, instantly relatable lyricism made The Wonder Years a critical darling even before hordes of fans began to take notice. But it didn’t take long for everyone to jump on board. Signing to Hopeless Records with their brand of “realist pop-punk” and re-releasing The Upsides with bonus tracks brought about new buzz, and the release of the sprawling, 13-track concept record Suburbia I’ve Given You All and Now I’m Nothing in June of 2011 confirmed what many thought: The Wonder Years were for real.

Playing shows in basements, backyards and VFW halls the country over in its early years, the band had a DIY mentality long before it broke through to a larger audience. “The idea was that, for a long time, no one wanted to work with The Wonder Years so we said fuck it, we’ll do it ourselves,” Campbell says. “We didn’t need anyone else. We weren’t looking for charity. We were just going to cowboy up and fucking do it.”

The Wonder Years graced the cover of Alternative Press, played an entire summer on the Vans Warped Tour, and supported New Found Glory on the Pop Punk’s Not Dead Tour to close out 2011. They opened 2012 in a huge way, with the Glamour Kills Tour, which Campbell called the band’s “first big-boy headliner.” Leading Polar Bear Club, Transit, The Story So Far, A Loss for Words, and Into It. Over It. across the country for six weeks of sold-out shows proved that The Wonder Years are still growing, still making new friends, and breaking new boundaries.

Now, with the bands new release, The Greatest Generation, we will get to see what The Wonder Years have in store for us in 2013. The band tells us, “We know that this is unequivocally our strongest, most honest and most heartfelt work to date. We can’t wait to show everyone what we have in store for this release.”

The Wonder Years will release The Greatest Generation via Hopeless Records on May 14th, 2013. For track listing and tour dates, see below.

For more information, please visit:

www.TheWonderYearsBand.com

www.Facebook.com/TheWonderYearsBand

www.Twitter.com/TWYPopPunk

www.PureVolume.com/TheWonderYearsPA

www.HopelessRecords.com

Track Listing:

1. There, There

2. Passing Through A Screen Door

3. We Could Die Like This

4. Dismantling Summer

5. The Bastards, The Vultures, The Wolves

6. The Devil in My Bloodstream

7. Teenage Parents

8. Chaser

9. An American Religion (FSF)

10. A Raindance In Traffic

11. Madelyn

12. Cul-de-sacs

13. I Just Want To Sell Out My Funeral

Headliner Tour Dates:

w/Fireworks, Hostage Calm, and Misser

3/8 The Stony Pony Asbury, Park, NJ – SOLD OUT

3/9 The Met Cafe Pawtucket, RI – SOLD OUT

3/10 Upstate Concert Hall Clifton Park, NY

3/12 A&R Music Bar Columbus, OH

3/13 The Irving Theater Indianapolis, IN

3/14 The Pyramid Scheme Grand Rapids, MI – SOLD OUT

3/15 Turner Hall Milwaukee, WI

3/16 Fitz’ Spare Keys Elmhurt, IL – SOLD OUT

3/18 The Aquarium Fargo, ND

3/19 Sokol Underground Omaha, NE

3/20 Firebird St. Louis, MO

3/21 Downtown Music Hall Little Rock, AR

3/22 Zydeco Birmingham, AL

3/23 Roc Bar Jacksonville, FL

3/25 The Soapbox Laundrolounge Wilmington, NC

3/26 Kingdom Richmond, VA

3/27 Empire West Springfield, VA

3/29 Harmony Grange Wilmington, DE – SOLD OUT