[QUICKIE REVIEWS] Transit, Broadway Calls, and My Chemical Romance

Life has a funny way of keeping you from projects. For several months now, I’ve had a collection of albums piling up, awaiting review. Over this week, I will knock them out with “quickie” (short) reviews so that I can catch up to more current and future releases.

– Nathaniel Lay

broadway callsBROADWAY CALLSComfort/Distraction
[No Sleep Records] – Verdict: 9/10
It’s been around seven years since their inception, but Broadway Calls still play true heart-ed punk rock like it courses through their veins. Their latest No Sleep release (home of the best bands of the genre), Comfort/Distraction, is one memorable hit after another. Kicking off with “Bring On The Storm”, the band burrows the words “I finally did it / I finally won / So shut down, America / Bring on the storm” into your memory for hours to come. From there, Broadway Calls only continues to catch you on their hooks, melodies, and energy. There are many choruses here that will bring you back for repeated listens, and they are executed with precision, speed, and thoughtful lyrics. Pulling influences from a handful of your favorite punk rock bands of the years, Comfort/Distraction feels familiar, but in a glorious sense. You’ll likely love every minute of this record. Broadway Calls deserve to be so much bigger than they are.

Transit-2013TRANSITYoung New England
[Rise Records] – Verdict: 8.5/10
A lot of complaints about the band’s previous Rise release was that it sounded over produced and poppy. Personally, I loved the record, but could still agree that it felt like a unnecessarily polished version of the band. However, Transit have returned to their roots on Young New England. It sounds like the band followed in Thieves & Villains footsteps by recording via Analog tape (whether this is true or not, I have not done the research; it just sounds this way), giving the album a more garage rock vibe to it. This helps greatly with the overall presentation of the record, as does the writing; Transit keep thing more simple with Young New England, in the sense that they didn’t go out of their ways to make something sound bigger or more complicated than need be. Along the way, the record does pull several surprises, though. The title track, for example, sounds a lot like Blue October. It’s entertainingly different for the band, and quickly goes down as one of the record’s best songs. Other favorites include the catchy opening “Nothing Lasts Forever”, the uplifting anthem “Sleep”, the sexy sound of “Hang It Up”, and the lazy afternoon coolness of “Hazy”. Young New England is an excellent record, proving once again that Transit are very fuckin’ relevant.

my chemMY CHEMICAL ROMANCEConventional Weapons
[Independent] – Verdict: 7.0/10
Written back before the 2010 release of Danger Days, Conventional Weapons is a ten track collection of songs resembling the band’s earlier material. For example, the first two tracks – “Boy Division” and “Tomorrow’s Money” – have the glorious familiarity of Three Cheers For Sweet Revenge. From there, “Ambulance” and “Gun” sound like they would have made up the most energetic sections of The Black Parade; “Kiss the Ring” and “Make Room!!!” are as raw as the band’s very first record, I Brought You My Bullets; and the other tracks sound like a blend of all My Chem’s previous outings. As a complete work, Conventional Weapons is admittedly unbalanced when play from start to finish. However, that’s understandable considering the tracks were released in little pairs over the course of five months. The first few songs are definitely the best, but it is also clear as to why this collection was abandoned for several years before being released. There’s quite a bit missing as a whole.

[NEWS] Transit Begin Tracking New Record

Transit Begins Tracking 2nd LP For Rise Records

Transit begins tracking their 2nd Rise Records full length with producer Ted Hutt (The Gaslight Anthem, Lucero, The Bouncing Souls) on Saturday at Maximum Sound Studios in Danvers, MA. Gary Cioffi (Transit, Four Year Strong, Misser)  will also be working with the band on the record.

www.facebook.com/transitmakesmusic

www.riserecords.com

[MUSIC NEWS] The Story So Far Announce Slam Dunk UK Festival Appearence

The Story So Far

Announce Slam Dunk UK Festival Appearance

Plus Dates With Hit The Lights and Transit

(March 23, 2012) – Walnut Creek, California’s The Story So Far is proud to announce they’ll be part of the Slam Dunk Tour in the UK starting May 23rd in Newcastle and ending June 2nd in Kingston. Included in the dates are the band’s appearances at the three Slam Dunk Festival dates May 26th in Leeds, May 27th in London, and May 29th in Glasgow. The club dates will feature headlining act Hit The Lights with Transit and Decade also serving as support.

The Story So Far is touring in support of their debut full-length, Under Soil and Dirt, which was released in June, 2011 on Pure Noise Records.

In its review of the album, Rock Sound raved, calling the tracks, “Taut, delicious and confessional pop-punkers. TSSF have ironed out the creases through countless shows and pushed to the front of the queue at first attempt with a batch of songs that connect in a heartbeat. They may remain new to many, but won’t remain a secret for much longer.”

This tour marks the second time the emerging pop-punk five-piece has been across the pond this year. The band shot their recent video for “Roam” with director Paul Hope in late January / early February on their two week UK tour supporting Man Overboard. Fans can check out the video here: http://youtu.be/e_iHep06jqk

Alternative Press recently posted a live video of the band, shot and edited by Evan Henkel of The Waiting Room, at legendary Bay Area venue, 924 Gilman, which can be viewed here: http://bit.ly/GQBkwQ.

The Story So Far is currently on the sold-out Glamour Kills Tour in the US with The Wonder Years, Polar Bear Club, and Transit.  Current dates can be found at http://purenoise.net/shows. Before heading off to the UK, the band will be appearing at this year’s Bamboozle Festival in Asbury Park, NJ from May 18th – 20.

The Story So Far is:

Parker Cannon – Vox

Will Levy – Guitar

Ryan Torf – Drums

Kelen Capener – Bass

Kevin Geyer – Guitar

THE STORY SO FAR on tour:

5/18 Asbury Park, NJ @ Bamboozle

5/19 Asbury Park, NJ @ Bamboozle

5/20 Asbury Park, NJ @ Bamboozle

5/23 Newcastle @ Trillions

5/24 Manchester @ Moho

5/25 Liverpool @ Academy 2

5/26 Leeds @ Slam Dunk Festival North / Leeds Uni

5/27 London @ Slam Dunk Festival South / Hatfield

5/28 Nottingham @ Rescue Rooms

5/29 Glasgow @ Slam Dunk Scotland

5/30 Birmingham @ Asylum

5/31 Portsmouth @ Wedgewood Rooms

6/01 Cardiff @ CF 10

6/02 Kingston @ The Peel

The Best Music of 2011 – As Chosen by LMP Founder, Nathaniel Lay

BEST OF 2011 LIST

[Check out three other lists by our writers for BEST OF 2011 here --->http://lmpmagazine.com/2011/12/21/music-best-of-2011-list-time/]

Making these lists can be pretty fun. Going back through all our reviews and reminding ourselves of the year’s best releases is like an adventure. Frequently, thoughts like “oh, I forgot about this one!” come. 2011 was a pretty good year for releases. There were a lot of awesome albums, some of which were from unknown and new bands. My list is not arranged numerically (such #1, #2…), so instead I just alphabetized this list by band name. Anything here was well worth my time this year. Oh, and of course I realize that I didn’t narrow this down as much as the other writers did. This is a long list…

ACE AUGUSTINE – The Absolute
When this album was sent over, I did not expect much. Generally, bands from Strike First feel lacking in power for me, but that was not the case with The Absolute. Ace Augustine had great energy, frantic vocals, and surprisingly diverse instrumental work. In a year full of so many releases to be tended to, this was one of albums I actually stuck with for some time before writing anything up.

AGAINST ME! – Total Clarity
Sure, it was just a collection of b-sides mostly, but Total Clarity offered up some great tracks any long time fan of AM would enjoy. Right from the kick off with “Miami”, this fifteen track album reminded us why this band keeps such a strong fan base at all times.

AIDEN – Disguises / Some Kind of Hate
Aiden has come a long way over the years. Their last few releases have developed a darker blend of metal and rock that is hard to deny. While their transformation has been impressive, what was best was that the band put out two records in 2011! Not only that, both Disguises and Some Kind of Hate were composed of some awesome tracks. Now that’s work ethic!

ANDREW JACKSON JIHAD – Knife Man
Knife Man was the first AJJ album I had heard, and it surprised the hell out of me. This band has such a quirky sound that is catchy and often ridiculous. Of course, it’s the lyrics that are most humorous and entertaining, but the band’s blend of folk and punk is great as well.

THE ATARIS – 7”
Who cares that it was only two tracks? The Ataris returned this year with this 7”, and it was brilliant. Both “The Graveyard of the Atlantic” and “All Souls Day” were worth keeping on replay throughout the day. I spun this 7” probably more than any other this year. Now if we could just get the full length album released already…it’s been completed for like a year.

AUTOMATIC STATIC – Friends & Lovers
I remember when this album was sent over, I thought Automatic Static was some cute, pop group judging by the album artwork. Hell, I was wrong. Instead, the band play a great rock sound akin to the older days of Fuel. Friends & Lovers was both a great EP and an excellent surprise. It was like rewinding time to the days of 90′s rock. Fuck yeah.

BANQUETS – Top Button, Bottom Shelf
This year had a lot of great punk releases, and of course Banquets had to make an appearance. Their new LP, Top Button, Bottom Shelf, was not a surprise since I already knew they would not disappoint. These guys are up there with Junior Battles for me. They just have this sound that flows with ease, and keeps you thoroughly interested and entertained.

BAYSIDE – Killing Time
For me, Bayside was at its best during their self titled record years ago. However, Killing Time brought them back into the style of that album, making this one an excellent addition to their impressive discography. While it wasn’t as instrumentally diverse as The Walking Wounded, it had a more adult sensibility to it. It was as if Bayside woke up and said “this is the sound we work best with” and went ahead with it. Killing Time is awesome.

THE BLED – Heat Fetish
For their final record, The Bled signed onto Rise Records for the release of Heat Fetish. Part of what made this so special for fans was that the band returned to the more raw sound of Pass the Flask. This album is gritty, crazed, and angry. Any fan of The Bled probably fell in love with this one, no matter which record of their discography was their favorite. Though, Pass the Flask enthusiasts still probably creamed the most to this final Bled release.

BLINK-182 – Neighborhoods
Yes, Blink-182 sounded heavily of Angels & Airwaves influences on this record. However, there was still a decent blend of classic Blink in the mix to even out things. It most certainly is not on par with the old school records from this band that made them famous, but given the chance, Neighborhoods impresses and reels you in eventually. It is definitely the “mature” Blink-182 we never expected to hear, but stranger things have happened.

BOYS NO GOOD – Never Felt Better
This year, Indianola Records returned to force and with several artist signings we did not expect. Boys No Good is by no means a screamo act like those that launched this label back in the day. Instead, these guys play a catchy pop punk/hardcore blend that is very memorable and easy to love. [I may do publicity for Indianola Records, but that is not why this release was picked for my list. I genuinely loved this album and wasn't working for the label at the time of its release.]

CAMISADO – Pulse
Camisado were one of the unsigned bands that took me by surprise this year. After watching them play a set during Fans4Bands Community Collisions Fest, I immediately bought both their EP releases. The most recent was Pulse, and it was five tracks of great energy, fury, and even melody. It shouldn’t be long before you see these guys’ name in lights.

CAR PARTY – High & Low Places
Once again, this is not a bias choice because of my history with the band. Car Party write genius music, and their latest EP was no exception. High & Low Places was practically perfection. The band worked with Ace Enders on this one, so we’re all hoping they tour with The Early November in 2012. Maybe the two bands will do a split vinyl release at some point? Fans of alternative rock need to look these guys up asap.

THE CHARIOT – Long Live
The Chariot really blew me away with Long Live. This release was damn chaotic and noisy as hell, but I loved it. Composed of many breakdowns, distortions, vocal spazz outs, and more, The Chariot really brought the heat with this record.

CROWN THE EMPIRE – Limitless
There’s a lot of buzz around this unsigned group, and for good reason. Their new album, Limitless, is highly impressive and expansive. With a diverse style in every department basically, Crown the Empire are not just another screamo/metalcore act. Instrumentally, they constantly keep things fresh, energy, and somehow both melodic and heavy. Vocally, the singing is smooth and non-girly, while the screaming is often deep and determined.

DANCE GAVIN DANCE – Downtown Battle Mountain II
Anyone who knows me well is aware of my love for DGD. Even though my favorite album of their discography always surprises people (it’s the self titled record that does not feature Jonny Craig), I’m a fan of every member that has come and go with this band. The only time the vocals were not doing it for me was when Swan was doing deep screams on Happiness. Anyway, Downtown Battle Mountain II brings back the awesome duo of Jonny Craig and Jon Mess at vocals. The record is both melodic and crazed, impressive and expansive, odd and sensible. Well done, DGD.

A DAY TO REMEMBER – What Separates Me From You
ADTR have always been a good band, but this is the first time they absolutely got me hooked. What Separates Me From You was on replay for weeks with me. I was probably listening to it three times every day. I recently started blasting it again and it still gets me super pumped. This record has some awesome heavy parts and very melodic anthems. Basically, it’s well rounded and can get you hyped easily.

DEFEATER – Empty Days & Sleepless Nights
When it comes to progressive hardcore, it’s hard to find anything better than Defeater. Continuing their pattern of 1-upping themselves with every passing release, Empty Days & Sleepless Nights came out as a great record with plenty of well written lyrics and chaotic abuses of the voice. Even better was the vinyl version of this record. The band and label went all out on this release, and it shows.

THE DEVIL WEARS PRADA – Dead Throne
The last TDWP record was the first to really catch my interest. It’s not that I didn’t know of this band for years, but I just never cared for their sound. However, With Roots managed to get my attention enough that I looked forward to the release of Dead Throne. It turns out it was for good reason. This album was diverse, energetic, and fairly large in sound. Any time things began to grow slightly stale, TDWP changed it up. Dead Throne was a winner from nearly all angles.

ELEVATE: I AM – The Ghost Eclipse Sessions
Being a fan of A Static Lullaby, I jumped at the chance to hear this album prior to its release. Not too surprisingly, Elevate: I Am do sound quite similar to ASL, but that’s fine by me (the release of Rattlesnake seems like forever ago). The Ghost Eclipse Sessions is actually better than any ASL release, which is hard to say because I love several of their releases. What this record really did right was blend the crazy nature of Rattlesnake with some surprising melody, instrumental exploration, and duel vocalists. Hopefully, this isn’t the only E:IA record to come.

ENDWELL – Punishment
Previously, I did not care for this band. But the recent Emmure release got me into this style more. As a result, Punishment appealed to me with its furious energy and pissed off formula. Granted, this album is pretty similar throughout, but if you’re in the mood for something crazy and angry, Punishment is a great fix.

EVANS BLUE – Evans/Blue
The latest EB record was the debut for the band’s new vocalist. While he is not nearly as good as the original, he still does have a good voice for this music. This album may not have hit as hard as the band’s previous records, especially their first, but after a few spins it really did start to stick in my memory. At first, I thought it was only decent, but then I found myself wanting to play it again and again until I learned the songs. Fans of hard rock and older Evans Blue should definitely look this one up and give it a chance.

FALLING IN REVERSE – The Drug In Me Is You
Ronnie Radke is famous for his time in Escape the Fate, and the band has not been the same since his departure to jail. Now that he’s free, his new band, Falling In Reverse, made its debut this year. The Drug In Me completely took me by surprise. I was hoping to like it, but did not expect to love it. Despite some poor lyrics, the album turned out to be very addictive and memorable. Welcome back, Ronnie!

FIREWORKS – Gospel
I haven’t listened to this one nearly as much as I would have liked. Fireworks blew me away with their last album, and Gospel was just as much of a surprise. The main reason for this being that the band took their punk rock formula and expanded it into some more indie rock territory. Everything about this record was more mature and better written. These guys are great at what they do, so look them up.

GLASSJAW – Our Color Green / Coloring Book
Released in a series of 7 inches and digital collections, 2011 saw the return continuation of Glassjaw. If you somehow don’t already know these crazy bastards, then these new songs are just as good as any to start with. Glassjaw always produce fuckin’ gold with their music, and these tracks are no exception. On a side note, if you have any of these vinyls, you should definitely send me them.

THE GREENERY – Spit And Argue
I think it was during an interview with Vanna that I was told of The Greenery. So when I was approached with the band’s album for review, I grabbed it purely due to the recommendation. I’m glad I did, because Spit And Argue is a hardcore/punk wet dream of ferocity and energy.

GYM CLASS HEROES – The Papercut Chronicles II
To no surprise, Gym Class Heroes did it yet again. For me, this group has become more catchy with every release. The Quilt really won me over, and the second installment of The Papercut Chronicles is just as good (if not better). Travie McCoy is a lyrical genius, and the band is composed of great musicians. Fans of rap, hip hop, pop, and all that should definitely being playing this one loudly.

HANDS – Give Me Rest
This progressive hardcore act is known for its ability to easily blend heavy elements with the most tranquil and beautiful. Give Me Rest takes the band to a new level. The ability these guys have in writing and performance is extraordinary. Even if this isn’t the kind of album that calls you back for repeat listens immediately, you will still walk away from it thinking “Damn, that was good!”

I AM THE AVALANCHE – Avalanche United
Sadly, I have never fully listened to a IATA record before this one. That being said, I went into this one without a pretty open mind. I always enjoyed MovieLife, so I expected at least some good punk rock to hold me over a bit. I did not really anticipate that Avalanche United would become one of my favorite records of this year. These songs are damn memorable, and the lyrics are relateable. I think I Am the Avalanche are actually better than MovieLife.

JUNIOR BATTLES – Idle Ages
This band’s 7” in 2010 was one of my favorite records of that year. So, to no surprise, I was greatly anticipating Idle Ages prior to its release this year. Luckily, it lived up to my hype. This record is golden in so many ways. The tracks are well written, catchy, memorable, and hold their own. Junior Battles are one of those bands I’d call unique even if they aren’t necessarily doing a new sound. It’s just that they can stand above the rest of the genre with ease.

LIKE MOTHS TO FLAMES – When We Don’t Exist
While I definitely liked the Sweet Talker EP of last year, I did not expect the band’s debut LP to blow me away as much as it did. When We Don’t Exist is so addicting, brutal, energetic, and memorable. Not only did Like Moths To Flames make me a real fan, they definitely have become one of those bands I’m actually going to follow. I don’t do that for many groups, but these guys really did an excellent job on this full length.

A LOT LIKE BIRDS – Conversation Piece
This one actually got passed me at first. I kept hearing about it being an awesome album, but didn’t realize it was the new band from ex-DGD member, Kurt Travis. As soon as I realized this, I quickly picked up Conversation Piece and fell in love. This is another record from this year that I have not yet listened to very much due to all the music flooding my mail box, but I thoroughly enjoyed the few spins I’ve given it thus far. Any fan of Kurt’s work on DGD will fall for A Lot Like Birds easily, I’m sure.

MAN OVERBOARD – Man Overboard
For their Rise debut LP, Man Overboard came out with a self titled record composed of twelve great tracks. There were a few that took some time to grow on me, but the majority of these songs immediately became new favorites of mine for Man Overboard. This punk rock band has been climbing the ladder a lot these past two years, so if you don’t know them already, you should pick this one up quickly. Also, the band released a collection of their older material on vinyl, titled The Human Highlight Reel. This release is also extremely recommended.

OH, MANHATTAN – Spiritual Warfare
This is another release people may call me bias for including. Oh, Manhattan was my first publicity project for Indianola Records, and Spiritual Warfare was an awesome release to work on. I was pretty upset when the band lost Hance to Woe, Is Me, but I’m confident they’ll come back stronger than ever on their next record. As far as this one stands, Spiritual Warfare was a nice surprise because it took screamo to a new level more than once. The band frequently experiments with different sounds and styles, keeping this one fresh from start to finish.

OH, SLEEPER – Children of Fire
This was another one of those bands that I wasn’t very much into until this year. Children of Fire really caught me off guard. It has this really brutal nature to it, but also was able to mold melodic and soaring instrumental work into the mix with ease. It wasn’t terribly deep, but it was expansive and explosive enough to really get me interested.

SECRET BAND – Secret Band EP
Secret Band is basically DGD without Jonny Craig. This means no singing. Other than that, there’s not too much of a difference between the bands. These four tracks are all pretty crazed sounding and memorable, as to be expected by fans of DGD. It may have been a short little release, but I loved it. It definitely makes me want a full length in 2012.

SHINING THROUGH – White Flag
While other members were brought into the recording of this record, Shining Through is listed online as a solo project. White Flag is five tracks that immediately caught my attention and got me hooked. The soaring nature of the sound is instantly satisfying, and “San Diego Summer” easily become one of my most played tracks this year. I can’t wait to hear more from Shining Through.

SLEEPING WITH SIRENS – Let’s Cheer To This
While their debut LP felt too short to me (despite have around nine tracks), Lets Cheer To This had a much stronger length to it that worked beautifully. Coming out at forty minutes, the second album from Sleeping With Sirens felt more thought out and better written. Not only that, every member showed improvement at their craft. This album sounds great, and a good number of the tracks made my Most Played Songs list on iTunes throughout the year.

STRUCTURES – Divided By
This band came out of nowhere for me. I had never heard of them, and when Divided By was sent over for review, I almost just skipped it entirely. Luckily, I heard some of my friends talk well of the band, so I went ahead and checked it out. The introduction track didn’t do it for me, but then the band erupted in a crazy array of styles, catching my attention. From that point forth, Divided By kept me highly entertained. Structures have a great sound to them that is fairly unique for their genre, so I can’t wait to hear what they come up with next.

TEN AFTER TWO – Truth Is…
This band’s EP in 2010 got me interested, but their LP blew me away. Truth Is… was even better than I was expecting. Ten After Two took all the best elements of the EP and made them ten times stronger and more prominent in the formula. This record is immediately entertaining, explosive, and energetic. The three E’s. This was definitely an awesome release.

TRANSIT – Listen & Forgive
Transit’s last few releases have just gotten better and better. For their Rise debut, the band brought us the golden Listen & Forgive. This release was one of those albums several of us called “damn near perfect”. Every track is excellent, so you can bet your ass this is one of the most recommended releases of 2011 by more than just me.

YOU, ME & EVERYONE WE KNOW – Things Are Really Weird Right Now
It’s sad to see these guys go, but at least they went out on an extraordinary 7”. Things Are Really Weird Right Now is made up of four tracks that fans will instantly fall in love with. They’re simple, yet intricate. Sad and beautiful. Honest and memorable. Excellence.

This may have been a long list, but I actually left off a lot of records I thoroughly enjoyed. Some other highly recommended 2011 albums include those released by Suicide Silence, Thomas Giles, Madina Lake, Polar Bear Club, Sparks the Rescue, New Found Glory, Staind, Vanna, Into It Over It, Jacks Mannequin, Ahimsa Sunrise, Protest the Hero, Middle Class Rut, Mureau, La Dispute, Alesana, Thrice, Julian & the Lopez Dispensers, A Skylit Drive, The Story So Far, That’s Outrageous, This Time Next Year, Touche Amore, and I’m sure I’m forgetting even more. Check out the above list for sure, but don’t forget to hear these out as well. I hope 2012 is just as good as 2011 was for releases!

– By Nathaniel Lay

Music Reviews: October 2011 Collection of Quickies

POSTED DURING OCTOBER 2011:

AS YOU DROWN – Rat King
[Metal Blade Records] – Verdict: 7.5/10
To be expected, Rat King is brutal and explosive in nearly every way (without expanding the formula, that is). If you’re in need of something energetic and pissed off, then look no further than the new AS YOU DROWN record. Can you feel the ground shifting beneath your feet? The charge is coming right at you.
> Recommended Tracks: “You Should Be Paranoid”, “Your Loyal Betrayer”, “Bleeding Structure”

CHARRED WALLS OF THE DAMNED – Cold Winds On Timeless Days
[Metal Blade Records] – Verdict: 8/10
Those DIO-like vocals and instrumental leadership have returned with Cold Winds. It’s hard not to find something to like from CHARRED WALLS OF THE DAMNED, whether you’re a fan of metal or not. These guys have skills in writing music that can be God-like and Hell-like. As with their other releases, Cold Winds has a lot of different sounds to offer the listener. If exploration is your thing, then dive right into this one without hesitation.
> Recommended Tracks: “Ashes Falling Upon Us”, “Cold Winds”, “Forever Marching On”, “Guiding Me”

COBRA SKULLS – Agitations
[Fat Wreck Chords] – Verdict: 8.5/10
This punk trio is well known in their scene for good reason. Their latest release, Agitations, brings more fuel to that fire you feel when blasting a COBRA SKULLS record. Like a good punk record, this collection is catchy, fast, memorable, full of angst, piss, and everything else you look for from a good time. Right from the start with “Six Degrees”, Agitations is a blast. Punk fans who do not know of COBRA SKULLS should be ashamed.
> Recommended Tracks: “Iron Lung”, “The Mess”, “All Drive”, “The Mockery”

REACTIONS – Under My Skin
[Independent] – Verdict: 5.5/10
For someone who grew up on alternative rock and its variants, I find it less and less enjoyable with every passing year. Now, this could be just because of the bands popular in the scene right now, but whatever the case, it’s been hard to find good ones lately. REACTIONS are a step above average, but didn’t blow me away. In fact, I was little irritated by the similarities I heard (especially during “Bones”, which kept reminding me of a MEST song). The vocal work and instrumental arrangements seem a bit on the flat side also, which didn’t help their case. This isn’t a bad release, but I wouldn’t count it as a good release either. Maybe the band will find better footwork on their next record.
> Recommended Tracks: “The Ghost of Me”

9 LEFT DEAD – The Wrong Things
[Dirtbag/ILG] – Verdict: 6/10
Here’s another rock band to support my disappointment in this scene. 9 LEFT DEAD are like a cross between NICKELBACK and FRAMING HANLEY. The similarities will either frustrate the listener or give them just enough reason to hear The Wrong Things in its entirety. Mostly, 9 LEFT DEAD suffer from these imitations, though. They point out who they want to emulate without actually doing it well enough to leave a lasting impression.
> Recommended Tracks: “Freak in Me”, “Nothing Left To Lose”, “People Are Strange”
>WTF Moment: The stupid rapping found during “Bad Girl”

LA DISPUTE – Wildlife
[No Sleep Records] – Verdict: 9/10
I feel ashamed for waiting so long to checking out this album. LA DISPUTE have a killer hardcore style going on here. It seems highly experimental and demo-like, which sounds awesome. Wildlife is like a trip at times; it can be weird, ferocious, sweet, crazed, and more. LA DISPUTE have really created a masterpiece here with all the different sounds and emotions of Wildlife.
> Recommended Tracks: “a Departure”, “St. Paul Missionary Baptist Church Blues”, “a Letter”, “Safer in the Forest/Love Song for Poor Michigan”

LIFE AS A GHOST – Drifter
[Eulogy Recordings] – Verdict: 8/10
Featuring past members of DR. ACULA, WE CAME AS ROMANS, and several others, LIFE AS A GHOST play a self-labeled “progressive hardcore”. I do agree with this, though Drifter also has some heavy screamo and metal influences as well; perhaps “metalcore” would have been a better label. Anyway, Drifter is pretty energetic and enjoyable. There’s a lot of fuel here for the listener to get off from, and the mix of several different vocal styles is a plus in my book. LIFE AS A GHOST may not be overly original, but fans of this music style will love Drifter. There’s a fair amount going on here, keeping the interest levels up.
> Recommended Tracks: “Droege”, “The Drifter”, “Speaker”, “Dreamer”

SLEEPER/AGENT – Celabrasion
[MOM+POP] – Verdict: 8.5/10
Taking a look at the band’s influences will give you an idea of you can expect from SLEEPER/AGENT. Like a mix of MGMT, CAGE THE ELEPHANT, THE PIXIES, FOXY SHAZAM, and more, SLEEPER/AGENT were born to provide a good time. Celabrasion strikes me as one of those underground phenomenons. Sporting a highly enjoyable sound, this group instantly sucks you in with its beats. This is a very fun record.
> Recommended Tracks: “Get It Daddy”, “Love Blood”, “Bottomed Out”, “Be My Monster”

BRIGHTER THAN A THOUSAND SUNS – Survival Machines
[Tragic Hero Records] – Verdict: 7.5/10
BRIGHTER THAN A THOUSAND SUNS have an appealing formula going for them. The mix of haunting cleans and frantic shrieks for vocal styles is a great mix; and the instrumental set up of soaring metal also works wonders. Ultimately, Survival Machines has a pretty unique and intriguing sound. The only real issue is that the songs weren’t too memorable in the sense that they would stick with you. Still, this is very interesting debut from a band we’ll have to keep a close eye on.
> Recommended Tracks: “Walls Made of Glass”, “The Inheritance”, “Sitting on a Time Bomb in Free Fall”

WHITE WILLOW – Terminal Twilight
[The Laser’s Edge] – Verdict: 6/10
About five years in the making, Terminal Twilight is one of those expansive and beautiful sounding prop rock albums that don’t seem to get the recognition they deserve from mass audiences. It might be because this is a genre that requires patience from the listener. However, if you have some to spare, WHITE WILLOW would prove worthy of it. Terminal Twilight will take you on journeys if you’re ready for it. Just prepare yourself for some slow moments along the way.
> Recommended Tracks: “Floor 67”, “Snowswept”

THE SLAM – Hit It!
[Scarlet Records] – Verdict: 6.5/10
Hit It! has that dirty rock appeal often labeled “Southern”. When checking out some of the band’s influences, it’s easy to find connections. THE SLAM make not of KISS, AC/DC, ROLLING STONES, LED ZEPPELIN, and other famous acts. While Hit It! is not quite up to that kind of caliber, there are some good tunes to be heard here. Personally, I found the “slower” stuff the best, though the last few tracks are all pretty top notch.
> Recommended Tracks: “Hooked On Rock N Roll”, “Little Angel”, “Tears In the Rain”, “Wild Ride”, “90-50-91-Love”

STREETZ ON FIRE – The Repetition of Nightlife
[Independent] – Verdict: 8/10
What is weird about STREETZ ON FIRE is that it formed from two key members of the great punk rock band, AVERMAN. Now that group has parted ways, making this rap side project David and Zach’s main priority. Despite how sad it is that AVERMAN is done, STREETZ ON FIRE do a pretty good job for rap. I usually hate this scene/genre, so it’s impressive that they kept my attention with The Repetition of Nightlife. There are several styles to be heard here, and each is satisfying. If I liked this album, then fans of this kind of music will probably love it. This is pretty catchy stuff.
> Recommended Tracks: “Hello Jersey”, “Sexy By 6”

HUMAN SCULPTURE – Our World / Torn Down
[Unsigned] – Verdict: 7/10
HUMAN SCULTPURE are death metal at heart. They haven’t been around long at all (only a year), so they can be forgiven for not having an expansive sound yet. Still, their formula is solid; you can expect some really brutal material on Our World / Torn Down. If this is your sort of thing, then chances are HUMAN SCULPTURE will appeal to you. They have speed and aggression down, that’s for sure.
> Recommended Tracks: “The Wait”, “A Heart”

EVILE – Five Serpent’s Teeth
[Earache Records] – Verdict: 7/10
Sporting that classic metal sound on the forefront, EVILE are one of those bands that will mostly appeal to older metalheads in all honesty. Five Serpent’s Teeth has that rock and roll instrumental structure, while it’s mainly in the vocals and themes that metal comes into play. You can expect some groovy and crunchy guitar work, exceptional drum beats, and soaring/powerful vocals (without being high pitched).
> Recommended Tracks: “Xaraya”, “Origin of Oblivion”, “Descent Into Madness”

GRANKAPO – The Truth
[Hellxis Records] – Verdict: 7/10
GRANKAPO play pretty standard fair hardcore. However, a lot of the greatest in the genre keep to this simple formula, so it’s hard to make it negative. Still, The Truth doesn’t really get your blood pumping. It’s enjoyable enough as background music, but it rarely gets you truly drawn in and interested. All in all, this album is a decent hardcore disc.
> Recommended Tracks: “We Want Justice”, “Life of Survival”, “Fuck You”

WARBRINGER – Worlds Torn Asunder
[Century Media Records] – Verdict: 7/10
WARBRINGER have that metal style to them that I find very enjoyable if I’m not paying close attention. Words Torn Asunder does a good job as background music when you’re playing Call of Duty or some other FPS game. It works well as battle music, in other words. It’s grind worthy, destruction suiting, and violently fun.
> Recommended Tracks: “Wake Up…Destroy!”, “Savagery”, “Echoes from the Void”

DEAD IN THE DIRT – Fear
[Southern Lord Recordings] – Verdict: 8/10
Fierce, fast, aggressive, angry…DEAD IN THE DIRT is all this and more. Fear may run under 12 minutes total, but it’s a crazy ride. Any fan of grindcore, thrash, or deathmetal should take a listen to this one. DEAD IN THE DIRT are out of their minds.
> Recommended Tracks: “Disease”, “Sever the Tie”

SORT BY TITLE – Independent Process
[Unsigned] – Verdict: 8/10
This five track EP may not hint at much as far as exploration, but it does show that SORT BY TITLE have a pretty intense and satisfying sound. With frantic screaming vocal work and grinding guitars, Independent Process never lets up. With good energy, furious assaults, and willingness to bring in a helping hand (i.e. the female vocalist during track one), SORT BY TITLE could become something really cool in the coming year.

TRANSIT – Listen & Forgive
[Rise Records] – Verdict: 10/10
Always impressive, TRANSIT have returned better than ever…again. Listen & Forgive is as near as perfection as bands can get. This record proves once again that TRANSIT are masters and true musicians. Every track here is gold. To no surprise, they’ve done it again. Bow to the kings of indie rock.

THE STORY CHANGES – This Is Your Moment
[I Am Shark] – Verdict: 8/10
This four track 7” has that raw punk rock sound that easily gets people rocking out. “Tidal Wave” is an instant success and perfect example of this. The band also shows their softer side with “How Long”, their more experimental side with “Worlds Collide”, and their ability to do a good cover with “Breed”.

DEREK SHERINIAN – Oceana
[Major Label] – Verdict: 6/10
The list of albums this guy has played on is long. DEREK SHERINIAN has been part of ALICE COOPER, KISS, ALICE IN CHAINS, and other famous acts. Oceana is one of his solo projects as a rock keyboardist. If this sort of psychedelic funk is your thing, then chances are you’re already a big fan of this musician. The younger audiences, on the other hand, will probably dislike this one.

CLOSE ONLY COUNTS – The View From Down Here
[Midwestern Decline] – Verdict: 7/10
The View From Down Here can be a bit of a mix at times. On the positive side, I enjoy acoustic material a lot, and I like how there’s a punk rock edge to the lyrics of this EP. However, the vocal work sometimes sounds off. It’s not often, but there are several moments that could have been cleaned up better. The recordings also sound like they were done in a home studio. This is fine, but at times the sound barrier cracks a little. Overall, this was a good introduction to CLOSE ONLY COUNTS for me. I’d be curious to see how these guys progress.

KIROS – Outlaws and Prodigals
[ANGR] – Verdict: 9/10
This EP may only be three tracks, but it’s damn good. “Outlaws and Prodigals” is catchy without being one of those overly upbeat rock tracks, “Desperation Calls” brings to mind old favorites ABANDON KANSAS, and the acoustic version of “Outlaws and Prodigals” is beautiful sounding. This EP is 10 minutes you’ll want to play again and again. KIROS are most certainly a band to keep a close eye on.

DANGEROUS! – Teenage Rampage
[Epitaph Records] – Verdict: 7/10
Like a cross between THE PINK SPIDERS and MY CHEMICAL ROMANCE, DANGEROUS! play a breed of fast and frantic punk rock. Teenage Rampage is pretty fun and energetic, but it does sound pretty much the same from start to finish. Next time, the band should explore those rock ‘n roll sounds further. More variations in speed and vocal work would make a big difference.

BROADWAY CALLS – Toxic Kids EP
[SideOneDummy] – Verdict: 8.5/10
BROADWAY CALLS play great punk rock, and Toxic Kids is no exception. This six track EP is highly catchy and memorable. Expect yourself to be returning to this one often while we await the band’s next full length eagerly.

ACRES OF LIONS – Collections
[Cordova Bay Records] – Verdict: 8.5/10
Collections shows a band combining melodic rock, indie, and mature punk to create a sound somewhat similar to recent RISE AGAINST material mixed with BAYSIDE and JACKS MANNEQUIN. If that sounds interesting, that’s because it is. The vocal and instrumental work is quite beautiful and thoroughly impressive. ACRES OF LIONS are unknown at the moment, but it won’t stay that way if they continue down this road.

INTO IT. OVER IT. – Proper
[No Sleep Records] – Verdict: 8.5/10
Evan Weiss is a master songwriter, as he’s proven again and again. His latest collection, Proper, is fueled by indie and punk rock tracks like “Embracing Facts” and “An Evening With Ramsey Beyer”. These twelve tracks make for an excellent vinyl that is highly enjoyable and recommended.

THIS TIME NEXT YEAR – Drop Out of Life
[Equal Vision Records] – Verdict: 8.5/10
The fact that Chad Gilbert of NEW FOUND GLORY recorded this album with THIS TIME NEXT YEAR shows greatly. Drop Out of Life is much more pop punk (like NFG) on this record, whereas Road Maps had a raw edge to it. Some people may be upset with how damn similar both bands now sound, but these songs still make for a highly enjoyable and fun record.

NEW FOUND GLORY – Radiosurgery [Deluxe Edition]
[Epitaph Records] – Verdict: 8.5/10
Like a mix of Catalyst and Coming Home, Radiosurgery returns to the much more upbeat sound of earlier NFG records while still having a slight mature polish to it. Like with any album from these guys, Radiosurgery is quite enjoyable and good enough for multiple replays. Definitely make sure to give “Drill It In My Brain” and “I’m Not the One” a listen.
> The Bonus Tracks: If you buy the deluxe edition of this album, you’ll be rewarded for four additional tracks. “Separate Beds” was kind of flat sounding, but “Over Again” had a fun tempo to it. “Sadness” also has a faster beat to it, but doesn’t really jump out at you as you might expect. Lastly, you have a cover of “Blitzkreig Bop” (and if you don’t know the original, then you don’t know much about music history). The NEW FOUND GLORY rendition of this song almost makes buying the deluxe edition worth it alone. As a whole, 2 out of 4 of the songs come out as worthy additions.

CHUCK RAGAN – Covering Ground
[SideOneDummy] – Verdict: 9/10
Covering Ground actually reminded me a bit of TRANSIBERIAN ORCHESTRA’s Christmas material (mostly due to the Chuck Ragan’s deep voice). Putting that note aside, this new collection is just as impressive as we could all have expected. The instrumental work is both simple and complex, relying heavily on acoustics (which I personally love). Vocally, Ragan’s voice is gold. Covering Ground is another masterpiece from the songwriter.

SAMIAM – Trips
[Hopeless Records] – Verdict: 7/10
Trips has some hits along the way, but is ultimately weighed down by tracks that can be described as “filler”. Some of their punk rock is really enjoyable, while another chunk of it fails to impress. With some more work, SAMIAM might be able to turn heads; I just don’t think Trips will do it for most.

TASTERS – Reckless ‘Til the End
[Nuclear Blast Records] – Verdict: 8/10
TASTERS brought THE PLOT IN YOU to mind for me. Reckless ‘Til the End is backed by a lot of energy and ferocity, so if that kind of brutal metal is your thing, then look no further. The performances are up there, as is the production value, so you can expect a good time from this band and release.

THIS IS A STANDOFF – Be Delighted
[Fun Time Records] – Verdict: 8/10
(Punk Rock) Composed of energetic and catchy tunes, Be Delighted is quite an enjoyable five track EP outing from THIS IS A STANDOFF. Each song feels very much alive and worth hearing. A full length is anticipated upon hearing this one. Give it a few spins; it may not branch out much, but it is continually fun to play.
> Recommended Track: “Head in the Sand” feels like something old school PENNYWISE would have written; very cool.

THIS, MY VENDETTA – Lineage
[Unsigned] – Verdict: 5.5/10
(Metalcore) With a nice dose of hardcore and metal signature sounds, THIS, MY VENDETTA offers some mosh worthy moments, despite never truly feeling “explosive” as one might expect. At times, the band goes the extra mile and attempts some exploration, but ultimately fail in being successful. Unfortunately, Lineage tends to fall flat. However, the second part of this EP is definitely much better than the first. With some tightening in their sound and more forward energy in their recordings, these guys could be onto something down the road.
> Recommended Track: “The Giving Tree” is a pretty big sounding track with several different faces to show.

REQUIEM FOR THE DEAD – Always and Forever
[Unsigned] – Verdict: 8.5/10
(Rock/Experimental/Screamo) Despite having too much going on at times, REQUIEM FOR THE DEAD has created an impressive album with Always and Forever. With a lot of different styles explored, you won’t find things tiresome or boring. The vocal work also has range; whether it’s singing or screaming, it sounds damn good. Instrumentally, the band attempts a handful of different genres through the span of this record. For the most part, they’re successful. Even with its short comings, Always and Forever manages to keep things balanced out at “very good job”. The good easily outweighs the bad.
> Recommended Track: “The Death Note of Shipwrecks” is the first track to bring in the darker, heavier side of the band. As a result, it becomes a staple reminder of the band’s range.

BRIDGE AND TUNNEL – Rebuilding Year
[No Idea Records] – Verdict: 8.5/10
(Indie Punk) As to be expected from this label, No Idea has found another winner with BRIDGE AND TUNNEL. Their brand of indie punk can be heard by others in this underground league, BUT it is still awesome. Like a mix of BALANCE AND COMPOSURE and TRANSIT, Rebuilding Year shows anger, vulnerability, honesty, frustration, and more. This array of emotion explored makes for a more heartfelt and relatable record. Mark these guys down as “ones to watch”.
>Recommended Track: “As Twelve Deer Run” has a blend of melody and crazed frenzy that just sounds damn good. This is a very interesting sounding song.

LORD OF WAR – Celestial Pestilence
[Unsigned] – Verdict: 6/10
(Gutter Metal) LORD OF WAR possesses a sound that is reminiscent of monsters fighting over a slab of meat. You can rarely understand the lyrics, and the vocal work sounds like a series of grunts and barks the majority of the time. It’s the kind of metal that bores me fairly quickly. Celestial Pestilence falls into this category. Fans of JOB FOR A COWBOY and BLACK DAHLIA MURDER will probably find something to like here with its thumping double bass and brutality, but I’ll personally pass. I will say this, however: LORD OF WAR do show signs of expansion that could take them places if further explored and incorporated into their normal “destroy everything” formula.
> Recommended Track: “Bury Your Living” is a good interlude that successfully builds suspense and anticipation for assault.

Music Review: MISSER – Problems. Problems. Problems.

MISSER
Problems. Problems. Problems
[Independent]
Verdict: 8/10
MISSER, featuring Brad of THIS TIME NEXT YEAR and Tim of TRANSIT, have released their debut EP, Problems. Problems. Problems. If you were to judge the band just by its members, one would expect these three songs to be amazing. The first track, “Just Say It”, is good but left me desiring much more (mostly because the vocal recordings were hard to hear, making everything sound a bit messy). Luckily, the next song, “She Didn’t Turn Out To Be That Cool”, helped bounce the EP right back. This kind of sound is more of what I expected from Brad and Tim coming together. The last track, “Hating”, slows things down and sounds great. In a way, it sounds a bit like BLINK-182’s slower material (like “Stay Together for the Kids” mixed with “Miss You”). As a whole collection, albeit short, Problems is a good introduction for these guys. I think there could have been a better opening track written, but the other two songs are gold. Fans of THIS TIME NEXT YEAR and TRANSIT should definitely check it out to see what Brad and Tim have been up to on the side. – By Nathaniel Lay
>Recommended Tracks: “She Didn’t Turn Out To Be That Cool”, “Hating”
>Bottom Line: The first track didn’t reel me in, but the other two were great. This is an above solid punk rock outing.

[MUSIC] Man Overboard – Man Overboard [REVIEW]

MAN OVERBOARD
Man Overboard
[Rise Records]
Verdict: 8.5/10
These guys may still be new for Rise Records, but they aren’t for the scene. MAN OVERBOARD are one of the brilliant leaders of punk rock these days, even if they haven’t quite “blown” up yet like THE WONDER YEARS. Having released a 7” earlier this year as their debut for Rise (one new song and one old), the band is now returning with their full length for the label. Fans will be welcomed with twelve new songs, the majority of which are gold. Despite a slightly rocky start, this self titled effort gets better and better with every repeated play. The opening track, “Rare”, sounds messy the first couple spins with its overlaying vocals and quickened speeds, but luckily you will get used to it (and even find it catchy after awhile). The next two songs are solid punk rock tracks, but don’t jump out at you as MAN OVERBOARD material generally does. However, once you’ve gotten to track four, this disc really begins to pop. “Dead End Dreams” begins the wave of excellent songs that continues on through to the end. The chorus here is one of the most memorable on the album, and the way it opens the song with gang vocals is excellent. The next highlight would be “Headstone”. Once again, it’s the sections performed with multiple voices that shines most. From this point on, the last few tracks are all definite wins. “Spunn” has a melodic sound to it, as well as a catchy chorus and memorable lyrics throughout. “Picture Perfect” has some elements to it that sound a bit too familiar to a couple past MO songs, but chances are it won’t be a problem. It’s one of the slower numbers on the album, and therefore stands out as being special. You then get the opposite with “Night Feelings”, which is one of the faster tracks on the disc. It’s not like tongue tied speed, but the pace is still a bit higher than the others. The final track, “Atlas”, encompasses everything great about this band. It’s honest, heart felt, and features an excellent indie vibe to it you can’t resist. As with most of the MAN OVERBOARD releases, there are usually a couple tracks that are weaker than the others, but never is there anything actually bad. This self titled album follows this rule by being primarily excellent songs. There are some that don’t stick at first, but give them time and they will win you over. MAN OVERBOARD are still kings as this record proves. Why their faces aren’t plastered everywhere is beyond me. In my opinion, they got their competitors THE WONDER YEARS beat in all departments. Hail MAN OVERBOARD and their awesomeness.

Pre-order this album over at MerchNow! Man Overboard releases September 27th via Rise Records.

SECOND OPINION:
Verdict: 7/10
Right off the bat, I’d like to point out that I’m not the biggest fan of the genre known today as “pop-punk” in which bands — such as Blink-182, Taking Back Sunday and New Found Glory — helped to solidify. I respect the genre, but most of the newer pop-punk bands sound exactly the same. However, I recently came across New Jersey outfit Man Overboard. Their self-titled record is a wonderful pop-punk CD. One of my favorite things about it is the lyrics. The instrumentation is pretty standard for a pop-punk band, but nonetheless, very interesting. As for the lyrics, they’re very relatable, but stray from any clichés that most bands write about. The lyrics are intelligently relatable, and a perfect example of this is within the track “Teleport” where vocalists Zac Eiesenstein and Nik Bruzzese take turns singing lyrics like, “I wish you could teleport in my bedroom / That would make me feel just like new” and “Three thousand miles ‘til I’m sleeping in your bed / You’re not next door / You’re not down the street / You’re three thousand miles so teleport to me”. Most pop-punk bands tend to write about the same things, and as I mentioned a few sentences prior, many clichés are brought up as well. However, this is slightly refreshing. “Teleport” is a song I can relate to, because I’m in a relationship like that. Despite the lyrics being intelligently relatable, it gets rather dull after awhile because the lyrics are about the same types of things. Is that a bad thing? No, fans respond well to it, but if you’re looking for variety, you won’t find it here. Nonetheless, at 33 minutes, the album is a nice quick burst of pop-punk. Other tracks that show lyrical cleverness are “Dead End Dreams”, “Rare” and most importantly, the album closer, “Atlas”, This song is my favorite because of one line “I just don’t feel like a grownup yet”. It seems like the perfect closing line for the record. Some of us may be adults, because society and biology tells us, but are we really grownup? — by Brad Christensen
>Recommended listening: “Teleport”, “Dead End Dreams”, “Picture Perfect” and “Atlas.”
>Produced by: Steve Klein
>Release date: September 27th, 2011
>In conclusion… I’m not very much, into pop-punk but bands like Man Overboard might just slowly begin to change my mind. This is a breath of fresh air in a suffocating genre.

[SHOW REVIEW] I Am The Avalanche, Transit, Daytrader…

SHOW REVIEW
Featuring: I Am The Avalanche, Transit, Daytrader, This Is Hell, Of Fortune and Fame, Criminal
Date: Thursday, May 26th, 2011
Location: The Lost Horizon, Syracuse, NY

On May 26th, 2011, I had the privilege of attending a show at The Lost Horizon in Syracuse, NY. Once inside, it is easy to see this bar serves as a unique place to take in live entertainment. The setup is composed of the stage set above a small mosh-pit area, with a raised level surrounding where you are basically eye-level with the bands performing. All in all, a pretty decent setup. Tonight, there were six bands total performing, with a good mixture of genres, from pop-punk to hardcore.

The first act was local band Criminal, who were apparently a bit of a last-minute addition to the set. Before they began, they informed us that it was their first live show. They definitely held their own wielding an intense blend of punk and hardcore. Their lead singer had a strong voice, mixing screams with faster, poppier shouted sections. Their final song in particular showed their strengths, with a slower paced, mellower beat and some excellent guitars.

Second to play was another local band, Of Fortune and Fame. They have more of a pop-punk sound, sounding a bit like Four Year Strong. Their music was fairly generic, but it was well-played. Overall a decent performance, with some catchy tunes. They also had to deal with the loss of their bass halfway through their set, playing one song without before they were able to borrow another.

Third in the lineup was Queens, NY based Daytrader. They blasted through their set, which featured some new songs and also a few from their EP, “Last Days of Rome”. They played their blend of punk very well, with tight instrumentation and excellent vocals. “Kill My Compass” and “Grey-Colored Glasses” were both highlights. This is definitely a band worth checking out if you are into the genre.

The fourth band, This Is Hell, definitely added a nice genre switch to the mix, with an aggressive brand of metal/hardcore. Playing some new songs and some from their last release, they really tore it up. The band was very tight, and the vocals were intense and heavy. “Bloodlines” was fantastic, with a piercing guitar solo and shredding vocals.

Next up was Boston’s Transit, who, admittedly, is the main reason I came out for the show. Their unique sound is not quite pop/punk, not quite hardcore, but a mixture all their own. Tonight, they played a solid set, featuring some new songs, including one which they had completed earlier that day, and some favorites from their past releases, including “For The World”, “Footwork”, and finally closing with the fantastic “Please Head North”. The vocals could have been louder, as sometimes they seemed to get lost behind the rest of the band. That was the only downside to their performance, however, as the band showed off their great skills at times, especially their lead guitarist, who played some great riffs and fill-ins.

Finally, I Am The Avalanche took the stage. I am, admittedly, a newcomer to their music, but after seeing this performance, I am a believer. They really killed it, with every song better than the last, and seemingly building up energy as they played. They played a mix of older songs from their self-titled album, and some new stuff to be released later this fall on their upcoming full-length. Every song was great, but “Green Eyes”, “Brooklyn Dodgers” and “Dead and Gone” were particularly excellent. The crowd really got into it too, which only added to the atmosphere.

Overall, for only $13, it was a great show. Not a huge turnout, but that just added to the intimate nature of the locale, and the fact that you could literally jump on stage with the bands and do some crowd surfing. I highly recommend any fan of punk/post-hardcore to check out and support these bands, and I strongly suggest they some back to Syracuse soon, because we’re always ready for a great show.

– by Trevor Kirch

[REVIEW] You, Me & Everyone We Know – Things Are Really Weird Right Now

YOU, ME, & EVERYONE WE KNOW
Things Are Really Weird Right Now
[Topshelf Records]
Verdict: 10/10

Also having released such great indie and hardcore acts as Grown Ups and Piano Becomes The Teeth, Topshelf Records are now putting out what will probably become one of their best selling 7 inches. Why do I say that? You, Me & Everyone We Know unfortunately broke up right before this EP was to be released, making it the last effort you’ll be able to get from the band (unless they later reform – let’s hope they do). Not only that, but these three tracks are also excellent songs any fan will surely love. For those who are not familiar with this band, YM&EWK play indie punk/rock basically. If you’re a fan of Man Overboard or Transit, there’s a good chance you’d love these guys. “Things Are Really Weird Right Now” is an immediately catchy and memorable track; “Sad Bastard Music” is a short acoustic song of brilliance; and “There Was A Thump, Then Another” sounds interestingly like Say Anything. The 7 inch also comes with a download of “Some Things Don’t Wash Out (2nd Rinse)”, which is also a fun and entertaining song. As a whole, this EP flows wonderfully and is surprisingly diverse for just a few tracks. It’s a damn shame these guys have disbanded; Things Are Really Weird Right Now is a definite must have for any fan of this band and/or genre. – by Nathaniel Lay

[MINI REVIEWS] Gideon, Transit, Onward To Olympas, Lights At Sea

GIDEON
Costs
[Facedown Records]
Verdict: 6/10 — Purchase this album here > Costs

Costs is an above solid hardcore releases that offers plenty of energy and fury. However, Gideon lack in the originality department. The addition of clean vocals may be nice, but they do not stand out quite enough to make a big difference. What it comes down to is Costs will be an enjoyable ride, but not an intriguing enough one that you’ll want to go again and again. (Stream “Unworthy”)

ONWARD TO OLYMPAS
The War Within Us
[Facedown Records]
Verdict: 7.5/10 — Purchase this album here > The War Within Us

Onward To Olympas struck gold with their last record, but The War Within Us tends to fall short throughout. This isn’t to say it’s bad, though. The band’s latest outing manages to get your attention and busting some moves from time to time, but the songs don’t stick with you nearly as well as some of the older material. Nonetheless, this is still a solid hardcore follow up that deserves attention from fans. (Stream “Unsuitable Patterns”)

TRANSIT
Something Left Behind
[Mightier Than Sword]
Verdict: 8.5/10 — Purchase this album here > Something Left Behind

Largely acoustic, the new Transit release is a piece of alternative brilliance. Something Left Behind is quite beautiful and peaceful throughout, showing a more vulnerable side of the band. These songs may not come out as catchy or energetic necessarily, but they are memorable nonetheless. Thoroughly relaxing and interesting, Something Left Behind is a real winner. (Stream “Please, Head North”)

LIGHTS AT SEA
Palace Walls
[Barrett Records]
Verdict: 7/10 — Purchase this here > Palace Walls

If instrumental bands are your thing, then look no further than Lights At Sea for your latest amusement. Palace Walls offers up soothing sounds, as well as heavier ones (which came as a bit of a surprise). There are several tracks that could very well be used by a screamo or metal act of sorts, while others fall more suitable for something alternative or indie. Personally, vocals are almost a must to keep my attention. However, if that doesn’t matter much to you, then Lights At Sea could become your next bread and butter. (Stream “This Is A House Of Learned Doctors”)